By Bob Garver Poster credit IMDB “Verity” wishes it was a twisty thriller. It is indeed twisty, but it doesn’t have the heart to be a thriller. The film’s advertising is clearly positioning it as a successor to last year’s hit front-of-the-bookstore novel adaptation “The Housemaid,” though it is based on a book that predates that film’s source material by four years. In fact, it is based on a novel by the popular Colleen Hoover, and it’s easy to picture the studio

By Bob Garver Poster credit IMDB In “Primetime,” Robert Pattinson plays Chris Hansen, host of “To Catch a Predator,” an offshoot of NBC’s “Dateline” news program in the mid-2000’s. Hansen and the show’s production team would coordinate with police to lure child predators (via Internet chatrooms where there would be no ambiguity as to their intent) to locations where they would be ambushed, first by Hansen and his cameras, then by the police. While removing child

By Bob Garver Poster credit IMDB The streak is over. The last time I started a review with that phrase, it was to mean something bad – 2022’s “Lightyear” was the first Pixar movie that I didn’t recommend. This time, it’s something good – Zach Cregger’s new take on “Resident Evil” is the first movie based on a video game that I do recommend. Not surprisingly, the man who directed Amy Madigan to an Oscar last year for “Weapons” brings enough good idea

By Bob Garver Poster credit IMDB Apparently I blinked and the 1998 chick flick “Practical Magic” developed a huge cult following. The film, about witch sisters Sally (Sandra Bullock) and Gillian (Nicole Kidman) Owens, came out 28 years ago, made only $40 million at the domestic box office, scored a mere 31% on Rotten Tomatoes, and I can’t recall ever hearing anyone speak affectionately about it. And yet not only was there a call for a sequel in 2026, the resulti

By Bob Garver Poster credit IMDB “By Any Means” is a movie about two disparate FBI employees that can’t decide if it wants to be a “Buddy Cop” movie or not. The pair are mismatched, but are they “comically” mismatched? The pair banter, is there enough banter to qualify for the “Buddy Cop” label? There’s action, but is the action too violent and intense for a term as casual as “Buddy Cop”? The result is an uneven tone that makes the movie too dark for matinee act

By Bob Garver Poster credit IMDB The big drawback to getting in an advance review of “Coyote vs. Acme” last week is that “Insidious: Out of the Further” is even less relevant this week. The horror film toppled from second place to fourth at the domestic box office, behind even the seventh weekend of “The Odyssey,” while “Spider-Man: Brand New Day” continues to dominate at #1. Fortunately, that drawback is offset by the knowledge that the film was never worth mu

By Bob Garver Poster credit IDMDB The dialogue-free Road Runner/Wile E. Coyote cartoons are my favorite of the Looney Tunes. No jokes centered around annoying accents or speech impediments, just pure physical comedy about a hapless carnivore and his Ahab-like obsession with catching and eating a skinny flightless bird. Although the cartoons are ridiculous, they follow strict rules, outlined by creator Chuck Jones. Rules include the action always having to take place in the

By Bob Garver Poster credit IMDB It takes a very generous suspension of disbelief to enjoy “One Night Only.” The film is set in a not-too-distant future where premarital sex is outlawed, save for one night a year. Comparisons to “The Purge” are inevitable, which to me raises an interesting question: Which would lead to more violent crime in this country – one night of legalized violent crime, or gradually-building sexual frustration on all but one night?

By Bob Garver Poster credit IMDB When we last left Peter Parker aka Spider-Man (Tom Holland) back in 2021, he had to submit to a spell from Doctor Strange that would make the world forget he ever existed. His Aunt May (Marissa Tomei) had died, so he had no family left, but he had to watch his friends Ned (Jacob Batalon) and MJ (Zendaya), go off to college without him, blissfully unaware of what they meant to him. As we rejoin Peter in “Spider-Man: Br

By Bob Garver Quite understandably, major studios didn’t want to schedule any new releases for the weekend between “The Odyssey” and “Spider-Man: Brand New Day.” I had to go down past fifth place at the domestic box office to find some also-rans that I hadn’t reviewed yet. “Evil Dead Burn” Poster credit IMDB “Evil Dead” is a horror franchise that started out low-budget and shlocky in the 80’s, and has grown to be trusted with more resources as

By Bob Garver Poster credit IMDB Few film adaptations require more ambition than Homer’s “The Odyssey,” the quintessential epic. And perhaps no filmmaker has been more ambitious this millennium than Christopher Nolan, the man who told an entire story backward with “Memento,” conquered the superhero genre with his “Dark Knight” trilogy, and dominated the Oscars three years ago with “Oppenheimer.” If anyone can handle a challenge as vast as “The Odyssey,” it’s Nol

By Bob Garver Poster credit IMDB I am well aware of the case against Disney’s live-action remake of its 2016 animated hit “Moana,” namely that the original film is less than ten years old and doesn’t need a remake, and also that Disney live-action remakes are lazy cash-grabs in general. And I agree with a lot about that argument. I’d rather see Disney put its resources into developing new ideas instead of rehashing old ones, especially when it means trading the magic of Disn