By Bob Garver Poster credit IMDB On the weekend of the biggest football game of the year, it was only natural that I saw a movie about basketball. Or rather “Roarball,” as the anthropomorphic animal characters call it – but it’s basketball. When he was just a kid (pun intended), young goat Will (Caleb McLaughlin) went to Roarball games to root for his hometown Vineland Thorns and cheer on his favorite player: panther Jett Fillmore (Gabrielle Union). Will’s mother (Jennifer Hu

By Bob Garver Poster credit IMDB Did you know that getting stranded on a deserted island has a way of shaking up social hierarchies? I suppose that was a big part of the plot for recent Best Picture Oscar nominee “Triangle of Sadness.” As well as the literary classic “Lord of the Flies.” And it’s represented on television in everything from “Survivor” to “Lost” to “Gilligan’s Island.” And it was at the center of a play I did in high school called “The Admirable Crichton,” whe

By Bob Garver Poster credit IMDB “Mercy” was the #1 movie at the box office on a weekend where the weather showed little in the way of mercy to much of the country. Hope you’re all safe out there. As if the weather weren’t enough of a disadvantage, “Mercy” is saddled with one of the stupidest cinematic premises I’ve ever seen. It takes place in a dystopian future where murder trials take the form of “Mercy trials,” suspects being strapped unsupervised to a chair in a tech-fi

By: Bob Garver Poster credit IMDB Audiences largely left last June’s zombie threequel “28 Years Later” thinking the same thing, “That was a good movie, but what the heck was up with that ending?” They were referring to the last-minute saving of young protagonist Spike (Alfie Williams) from a hoard of Infected by a gang of blonde-wigged, tracksuit-wearing ruffians led by long-missing earlier character Jimmy (Jack O’Connell). The tone of the sequence was one of stylized action,

By: Bob Garver Poster credit IMDB             It’s time once again for that magical set of releases on the cinematic calendar: January Horror! Unable to get a Halloween release, unable to compete in blockbuster season, and unable to dominate a random weekend anywhere else on the calendar, January Horror movies are released at a time when their biggest competition is leftover holiday blockbusters and awards-season darlings. Studios are banking on audiences not wanting movies t

By Bob Garver “The Housemaid” has unofficially sold itself based on how crazy it gets in its second half. This is slightly less annoying than when movies sell themselves based on their twist endings – at least here, the twist gets a chance to breathe, and maybe there will be other twists after the initial shock – but it still creates the problem of forcing the audience to wait for something crazy to happen. As “The Housemaid” went along in a direction that made sense, the mov

By Bob Garver Poster credit IMDB Back in 2019, brothers Benny and Josh Safdie delivered one of the best films of the year, and possibly the decade, with “Uncut Gems.” The film was, as I wrote in a review earlier this year, “a 135-minute anxiety attack.” And I mean that in the best possible way – I have enormous amounts of respect for movies and filmmakers that know just how to push my buttons. Now in 2025, the Safdie brothers have graduated to solo projects. Benny didn’t fare

By Bob Garver    Poster credit IMDB All the way back in 2009, director James Cameron introduced the world to the planet Pandora and the Na’vi race in “Avatar.” The film soon set the record for all-time highest grossing movie at both the domestic and international box offices (it still holds the record for the latter). Sequel “Avatar: The Way of Water” came out in 2022 and made its way onto the top 10 on both lists. Can three years’ worth of inflation help third installment “F

By Bob Garver   Poster credit IMDB   Since this weekend’s highest-grossing as-yet-unreviewed theatrical film, 205-minute Indian actioner “Dhurandhar,” is playing on only 377 screens in the entire country, I thought I’d take this opportunity to review something a little more accessible. “Wake Up Dead Man” is the third installment of Rian Johnson’s “Knives Out” mystery franchise. Like its predecessor “Glass Onion,” “Wake Up Dead Man” is treating fans to a brief theatrical run t