By Bob Garver Poster credit IMDB Krypto the Superdog isn’t very cute in “Supergirl.” I understand that the way the pup was rendered for this film involved taking a real dog (who probably was very cute) and slathering CGI all over his likeness. The result is a dog whose face looks unnatural and with whom I couldn’t connect during emotional scenes. You know your Super-whatever movie is in trouble when you can’t make a character like Krypto loveable. Kr

By Bob Garver Poster credit IMDB Simply put, “Toy Story” is my favorite movie franchise of all time. The 1995 original about cowboy doll Woody (Tom Hanks) fighting for relevance against hi-tech spaceman action figure Buzz Lightyear (Tim Allen) was a groundbreaking first for computer animation – not to mention about the most fun a kid could possibly have at a theater… until three worthy sequels came along. I’ve seen the original six times in theaters – my personal record. I wa

By Bob Garver Poster Credit IMDB All-time-great director Steven Spielberg is back with a film built around one of his most popular subjects: aliens. From the man that brought us “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial” comes “Disclosure Day,” a film about a small group of people deciding that it is time to let the rest of humanity know that they are not alone in the universe. After deeply personal project “The Fabelmans,” this is Spie

By Bob Garver Poster credit IMDB From the fifth “Scream” movie proving a shockingly strong January release in 2022 to “Backrooms” opening to over $81 million just last weekend, the past few years have been some of the best ever for the horror genre. So it makes sense that this would be a good time to revive the “Scary Movie” franchise and spoof some contemporary classics. And not only are franchise mainstays Anna Faris and Regina Hall back for this sixth install

By Bob Garver Poster credit IMDB Last week, I reviewed “The Mandalorian and Grogu,” which was based on a series that I hadn’t seen, but I was well-aware of its larger world and its place in popular culture. This week is “Backrooms,” which is also based on a series that I haven’t seen, and was in no way known to me until a few weeks ago. Even once I did hear about it, it struck me as an obscure, niche product for horror nerds. Yet both films are estimated to have

By Bob Garver Poster credit IMDB “The Mandalorian and Grogu” is coming at an interesting time in the history of “Star Wars.” It is a test to see if the franchise’s recent success on the small screen can translate to blockbuster status on the big screen. I have not seen “The Mandalorian” streaming series on Disney+, though I know of its massive success. I could even imagine a world where a “Mandalorian” movie makes enough money to have a legitimate place alongsid

By Bob Garver Poster credit IMDB With “The Devil Wears Prada 2” and “Michael” still ruling the domestic box office, I thought I’d give this week’s review spot to a couple of also-rans from the past two weeks. “Mortal Kombat II” The 2021 “Mortal Kombat” movie was a disaster that left fans disappointed for many reasons, not least of which was that it didn’t feature any fights from the much-hyped tournament for universal supremacy. At least in “Mortal K

By Bob Garver Poster credit IMDB I had never seen 2006’s “The Devil Wears Prada” until a few weeks ago when I watched it in preparation for the sequel. I didn’t care for it, mainly due to the off-putting character of Miranda Priestly (Meryl Streep). I knew going in that the fashion magazine editor’s dialogue was filled with verbal put-downs that were supposedly eccentrically charming, but I mostly just found unfunny, unprofessional, and rude. Such constant nega

By Bob Garver Poster Credit IMDB The big problem with “Michael,” the new Michael Jackson biopic, is that it has the approval of the Jackson family. As such, we are going to get a very flattering portrait of possibly the single most controversial personality in the history of the music industry. The scandals that plagued his later years are an unignorable part of his legacy, no matter how much this movie tries to ignore them. Simply put: a movie with this much lo

By Bob Garver Poster credit IMDB Prior to what I will generously call his “new take” on “The Mummy,” director Lee Cronin was best known for 2023’s “Evil Dead Rise.” Original “Evil Dead” director Sam Raimi had a new movie out earlier this year with “Send Help,” and he didn’t put his name in that film’s title. And his name carries real weight, he directed the Tobey Maguire “Spider-Man” trilogy back in the 2000’s. But the guy who directed the fifth “Evil Dead” movi

By Bob Garver Poster credit IMDB Good news, grown-ups, even though most of the screens at your local theater are probably still devoted to “The Super Mario Galaxy Movie,” there’s a decent option for adults in one of the other houses. I’m convinced that “The Drama” has stayed in the top three at the domestic box office for the past two weekends by reeling in parents who don’t want to watch Mario with their kids, but don’t want to leave the theater. Or it could be good advertis

By Bob Garver 2023 brought audiences “The Super Mario Bros. Movie,” by far the most successful cinematic adaptation of a video game ever. It was a wonder how appealing the property was with vibrant, colorful animation and respect for both its source material and its audience. I couldn’t bring myself to recommend the film, as the story, action, characters, and humor never really “came together” for me, but it was definitely a step in the right direction.

By Bob Garver Poster credit IMDB In 2019’s “Ready or Not,” Grace MacCaullay (Samara Weaving) won the deadly game of Hide and Seek that ended the lives of the entire La Domas family. It all tied into a Satanic ritual that frankly didn’t make much sense. Now she has to play another, also-deadly game of Hide and Seek against four other families that hold high standing in the Satanic cult. The twist this time is that she has her estranged sister Faith (Kathryn Newton) in tow. Fol

By Bob Garver Poster credit IMDB It has been just over ten years since viewers were first introduced to the work of sci-fi author Andy Weir with Ridley Scott’s “The Martian.” In that film, a scientist (Matt Damon) was stuck on a planet millions of miles from Earth and forced to use his wits to survive against near-insurmountable odds, often punctuating his actions with smart-aleck remarks that only he could hear. New Weir adaptation “Project Hail Mary” is different. In this f

By Bob Garver Poster credit IMDB Author Colleen Hoover is apparently dominant in the genre of tearjerkers. She’s best known for “It Ends With Us,” about the upsetting subject of domestic violence. Now comes “Reminders of Him,” which features both a death and a torn-apart family. It wants to inspire tears of sadness and sympathy, but the best it can manage is to bore me to tears. The story follows Kenna (Maika Monroe), fresh out of prison after serving a seven-year sentence fo

By Bob Garver Poster credit IMDB The 2020’s haven’t been kind to once-great animation giant Pixar, at least with its original titles. “Onward” had its box office cut down by the pandemic. Three straight movies had to forgo theatrical releases and go straight to Disney+. “Lightyear” was the first movie from the studio that I couldn’t bring myself to recommend. That movie, along with passable-but-middling efforts “Elemental” and “Elio” were all unable to win a single weekend at

By Bob Garver "Scream” is easily my favorite horror franchise. It might be my favorite movie franchise overall, but especially in terms of horror. That’s why it really hurts me to say that “Scream 7” isn’t up to snuff. It’s not hard to see why this installment falls short, given its troubled production history. The latter half of 2023 saw the departures of both co-directors and both lead actresses from both of the last two installments that had reinvigorated the franchise for

By Bob Garver Poster credit IMDB Christian music biopic “I Can Only Imagine” had a surprising performance at the domestic box office back in 2018. The film made $83 million despite never finishing above the #3 position on any given weekend. While it never escaped the shadow of “Black Panther,” which beat it every weekend, it did manage to ultimately outdo the Alicia Vikander “Tomb Raider” and badly-received kaiju sequel “Pacific Rim: Uprising,” both of which had better weeken

By Bob Garver Poster credit IMDB “Wuthering Heights” is based on a classic novel by Emily Brontë. I’ve never read the novel, which is probably for the best. Reports of the movie differing from the novel are actually quite relieving to me. They’re relieving in the sense that I do not have to lose respect for people who like the novel, which I would do if this movie were any indication of its quality. I’m fine with not judging a book by its movie, especially when the movie is t

By Bob Garver Poster credit IMDB On the weekend of the biggest football game of the year, it was only natural that I saw a movie about basketball. Or rather “Roarball,” as the anthropomorphic animal characters call it – but it’s basketball. When he was just a kid (pun intended), young goat Will (Caleb McLaughlin) went to Roarball games to root for his hometown Vineland Thorns and cheer on his favorite player: panther Jett Fillmore (Gabrielle Union). Will’s mother (Jennifer Hu