By Bob Garver Poster credit IMDB               Prior to what I will generously call his “new take” on “The Mummy,” director Lee Cronin was best known for 2023’s “Evil Dead Rise.” Original “Evil Dead” director Sam Raimi had a new movie out earlier this year with “Send Help,” and he didn’t put his name in that film’s title. And his name carries real weight, he directed the Tobey Maguire “Spider-Man” trilogy back in the 2000’s. But the guy who directed the fifth “Evil Dead” movi

By Bob Garver Poster credit IMDB Good news, grown-ups, even though most of the screens at your local theater are probably still devoted to “The Super Mario Galaxy Movie,” there’s a decent option for adults in one of the other houses. I’m convinced that “The Drama” has stayed in the top three at the domestic box office for the past two weekends by reeling in parents who don’t want to watch Mario with their kids, but don’t want to leave the theater. Or it could be good advertis

By Bob Garver               2023 brought audiences “The Super Mario Bros. Movie,” by far the most successful cinematic adaptation of a video game ever. It was a wonder how appealing the property was with vibrant, colorful animation and respect for both its source material and its audience. I couldn’t bring myself to recommend the film, as the story, action, characters, and humor never really “came together” for me, but it was definitely a step in the right direction.         

By Bob Garver Poster credit IMDB In 2019’s “Ready or Not,” Grace MacCaullay (Samara Weaving) won the deadly game of Hide and Seek that ended the lives of the entire La Domas family. It all tied into a Satanic ritual that frankly didn’t make much sense. Now she has to play another, also-deadly game of Hide and Seek against four other families that hold high standing in the Satanic cult. The twist this time is that she has her estranged sister Faith (Kathryn Newton) in tow. Fol

By Bob Garver Poster credit IMDB It has been just over ten years since viewers were first introduced to the work of sci-fi author Andy Weir with Ridley Scott’s “The Martian.” In that film, a scientist (Matt Damon) was stuck on a planet millions of miles from Earth and forced to use his wits to survive against near-insurmountable odds, often punctuating his actions with smart-aleck remarks that only he could hear. New Weir adaptation “Project Hail Mary” is different. In this f

By Bob Garver Poster credit IMDB Author Colleen Hoover is apparently dominant in the genre of tearjerkers. She’s best known for “It Ends With Us,” about the upsetting subject of domestic violence. Now comes “Reminders of Him,” which features both a death and a torn-apart family. It wants to inspire tears of sadness and sympathy, but the best it can manage is to bore me to tears. The story follows Kenna (Maika Monroe), fresh out of prison after serving a seven-year sentence fo

By Bob Garver Poster credit IMDB The 2020’s haven’t been kind to once-great animation giant Pixar, at least with its original titles. “Onward” had its box office cut down by the pandemic. Three straight movies had to forgo theatrical releases and go straight to Disney+. “Lightyear” was the first movie from the studio that I couldn’t bring myself to recommend. That movie, along with passable-but-middling efforts “Elemental” and “Elio” were all unable to win a single weekend at

By Bob Garver "Scream” is easily my favorite horror franchise. It might be my favorite movie franchise overall, but especially in terms of horror. That’s why it really hurts me to say that “Scream 7” isn’t up to snuff. It’s not hard to see why this installment falls short, given its troubled production history. The latter half of 2023 saw the departures of both co-directors and both lead actresses from both of the last two installments that had reinvigorated the franchise for

By Bob Garver Poster credit IMDB Christian music biopic “I Can Only Imagine” had a surprising performance at the domestic box office back in 2018. The film made $83 million despite never finishing above the #3 position on any given weekend. While it never escaped the shadow of “Black Panther,” which beat it every weekend, it did manage to ultimately outdo the Alicia Vikander “Tomb Raider” and badly-received kaiju sequel “Pacific Rim: Uprising,” both of which had better weeken

By Bob Garver Poster credit IMDB “Wuthering Heights” is based on a classic novel by Emily Brontë. I’ve never read the novel, which is probably for the best. Reports of the movie differing from the novel are actually quite relieving to me. They’re relieving in the sense that I do not have to lose respect for people who like the novel, which I would do if this movie were any indication of its quality. I’m fine with not judging a book by its movie, especially when the movie is t

By Bob Garver Poster credit IMDB On the weekend of the biggest football game of the year, it was only natural that I saw a movie about basketball. Or rather “Roarball,” as the anthropomorphic animal characters call it – but it’s basketball. When he was just a kid (pun intended), young goat Will (Caleb McLaughlin) went to Roarball games to root for his hometown Vineland Thorns and cheer on his favorite player: panther Jett Fillmore (Gabrielle Union). Will’s mother (Jennifer Hu

By Bob Garver Poster credit IMDB Did you know that getting stranded on a deserted island has a way of shaking up social hierarchies? I suppose that was a big part of the plot for recent Best Picture Oscar nominee “Triangle of Sadness.” As well as the literary classic “Lord of the Flies.” And it’s represented on television in everything from “Survivor” to “Lost” to “Gilligan’s Island.” And it was at the center of a play I did in high school called “The Admirable Crichton,” whe

By Bob Garver Poster credit IMDB “Mercy” was the #1 movie at the box office on a weekend where the weather showed little in the way of mercy to much of the country. Hope you’re all safe out there. As if the weather weren’t enough of a disadvantage, “Mercy” is saddled with one of the stupidest cinematic premises I’ve ever seen. It takes place in a dystopian future where murder trials take the form of “Mercy trials,” suspects being strapped unsupervised to a chair in a tech-fi

By: Bob Garver Poster credit IMDB Audiences largely left last June’s zombie threequel “28 Years Later” thinking the same thing, “That was a good movie, but what the heck was up with that ending?” They were referring to the last-minute saving of young protagonist Spike (Alfie Williams) from a hoard of Infected by a gang of blonde-wigged, tracksuit-wearing ruffians led by long-missing earlier character Jimmy (Jack O’Connell). The tone of the sequence was one of stylized action,

By: Bob Garver Poster credit IMDB             It’s time once again for that magical set of releases on the cinematic calendar: January Horror! Unable to get a Halloween release, unable to compete in blockbuster season, and unable to dominate a random weekend anywhere else on the calendar, January Horror movies are released at a time when their biggest competition is leftover holiday blockbusters and awards-season darlings. Studios are banking on audiences not wanting movies t

By Bob Garver “The Housemaid” has unofficially sold itself based on how crazy it gets in its second half. This is slightly less annoying than when movies sell themselves based on their twist endings – at least here, the twist gets a chance to breathe, and maybe there will be other twists after the initial shock – but it still creates the problem of forcing the audience to wait for something crazy to happen. As “The Housemaid” went along in a direction that made sense, the mov

By Bob Garver Poster credit IMDB Back in 2019, brothers Benny and Josh Safdie delivered one of the best films of the year, and possibly the decade, with “Uncut Gems.” The film was, as I wrote in a review earlier this year, “a 135-minute anxiety attack.” And I mean that in the best possible way – I have enormous amounts of respect for movies and filmmakers that know just how to push my buttons. Now in 2025, the Safdie brothers have graduated to solo projects. Benny didn’t fare

By Bob Garver    Poster credit IMDB All the way back in 2009, director James Cameron introduced the world to the planet Pandora and the Na’vi race in “Avatar.” The film soon set the record for all-time highest grossing movie at both the domestic and international box offices (it still holds the record for the latter). Sequel “Avatar: The Way of Water” came out in 2022 and made its way onto the top 10 on both lists. Can three years’ worth of inflation help third installment “F

By Bob Garver   Poster credit IMDB   Since this weekend’s highest-grossing as-yet-unreviewed theatrical film, 205-minute Indian actioner “Dhurandhar,” is playing on only 377 screens in the entire country, I thought I’d take this opportunity to review something a little more accessible. “Wake Up Dead Man” is the third installment of Rian Johnson’s “Knives Out” mystery franchise. Like its predecessor “Glass Onion,” “Wake Up Dead Man” is treating fans to a brief theatrical run t

By Bob Garver   Poster credit IMDB               From its ridiculous opening scene, there is little denying that “Five Nights at Freddy’s 2” is one of the stupidest movies of 2025. Its only real competition comes from Disney’s live-action “Snow White” remake thinking that its Dwarfs were fit for human eyesight. And it’s not even the fun kind of stupid horror movie. It was never really on the table for this to be a “good” horror movie like “Sinners,” but it could have at least